I mean, really, what makes one a good singer?
To me, all children (under 10, maybe?) are good singers. No matter what they sing, no matter if they’re on key or not, no matter if they got the rhythm right, they just sound nice. Some are timid and shy, some are fearless, nevertheless, there’s something about a child’s voice that will put a smile on my face and make me want to listen to them.
What makes young kids good? Their pureness? That they’re not thinking too much but just trying to sing?
And then there comes a point when kids are no longer kids and they’re judged differently. When is that point? Is it when they start to immitate what’s in the recording?
In the singing workshop I go to (almost) every month, you meet all kinds of singers. A large group of them are teenage girls. I think it was last month, there’s a girl who really reminds me of the “bee girl” in Blind Melon’s “No Rain” music video. That’s, err, not exactly a compliment. But after she started singing for a few seconds, a “Behind the Music” episode started emerging in my head, telling a story of how a bee girl makes it big. She sounded that good. Not too polished, but makes you feel that she has “it”.
What is “IT”?
Then there are the Britney girls. They’re kinda pretty; they have a bit too much makeup on them for their age; they’re in super-duper low-waist jeans (and sometimes you see their undies sticking out); they have flat abs, and they actually sing fine. But during the whole time they’re on stage, all I can think of were things like… she. is. so. skinny, or, what kinda of attitude is that, they can be a little nicer, or, do they have to sound like they’re moaning (i.e. do they have to sound so much like Britney and/or Jessica?) They do have good voice, but are they good singers?
And then there are the adults, like me. I don’t think any of us are professional musicians (or else we probably won’t be here.) This is when it becomes very, very diverse. There are times when people cheer loudly after a performance, times when people clap politely, and times when people are trying very very very hard not to laugh. Why do we want to learn how to sing (properly) in our 20s, 30s, or even 60s? Why do we want to be on stage when we’re actually nervous to death? What makes one performance better than the other?
The house band of the workshop consists of professional musicians. All of them are friends of the voice teachers. They all can sing. I mean they *CAN* sing. Still, I like some of them better than others. They are all very good technically; their performances are all very polished. What makes the difference?
So, having a nice voice isn’t enough; having a polished performance isn’t enough; looking pretty isn’t enough; high notes are definitly overated; forgetting the lyrics or singing the wrong notes doesn’t always ruin your performance.
People always like to say “singing your heart out”. How do you sing your heart out?
I have to admit that I’m always very critical when it comes to singing. But I guess I’m not THAT terrible a person since I’m the most critical to myself (meaning I’m actually kinder to others. ;) I still can’t listen to myself objectively (or maybe too objectively?). I always listen and think, this note is wrong and that note is off and this part can be stronger that part can use more vibrato, etc., etc.
ht is probably the only other individual that can be really harsh on my singing. But lately, he’s having less and less negative things to say. I want to believe that I’m progressing, but if I can’t hear it myself, how can I believe it?
Jim, my voice teacher, once said to me, that I need to learn to appreciate my voice, and then I can learn to listen to it objectively, and know what needs to be improved.
So, what exactly makes one a good singer???
I think I’m still a long way from figuring it out…
Or maybe I should stop thinking?